Many, many books have been written about the significance of Charles Schulz’s comic strip Peanuts. These books can never accomplish the goal they strive for, because art, by its very nature, is experienced by individuals who bring their own unique experiences to the table. I can’t even sum up what the strip means to just me, so let me just say that the first thing I remember reading regularly was Peanuts in the Sunday comics of the Kansas City Star. I was enjoying the strip before Kindergarten at least, because it’s well-documented by family members that I based several school projects at that time on the strip.

I credit the strip not just for encouraging me to read, but for giving me an appreciation of the sublime sense of humor that showed up on our doorstep every Sunday. As I read the collected comic strips in book form now, I can begin to appreciate the layers and depth that Schultz wove into his comic. It’s funny and witty on multiple levels.

Today is the tenth anniversary of Charles Schulz’s passing, and I wanted to share with you a layer I never really fully appreciated in his work. I found this fascinating exhibit called Schulz’s Beethoven that I want to share. It’s on the American Beethoven Society’s website. Enjoy!

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